Gay Demon

2022
Linocut hand-printed with oil ink on paper

From the Queer My Head Exhibition Catalogue:

Gay Demon is modelled after the style of medieval European woodcuts that detailed the debauchery of witches and demons. The artist employs this technique to reference the propaganda disseminated by Christian religious authorities and the witch-burning hysteria it spawned.

This work reflects the artist’s involvement with a small-town Pentacostal Church, which culminated in their disgraced departure. They were accused of being possessed by “gay demons” after they advocated for the acceptance of LGBTIQA+ young people in the congregation. Gay Demon is Ferric’s queer reclaiming of this accusation.

‘Gay Demon wears its title with raucous delight, in defiance of demands for self-flagellation.’

This artwork is part of a diptych that celebrates what the artist’s former church strives to suppress. It is a depiction of Ferric’s unrepentant and flamboyant joy, expressed within the safety of queer community.

White moon-lit figures in the background dance around a fire. Gay Demon has a leg kicked behind them and is looking coyly at the viewer. You can see their bare butt and tail, horns and clawed hands and toes, but not their front.
Scan of a linocut print by Chris Ferric. This print is closer to the fire from the Gay Demon print. A short fat trans femme witch wearing her hat dances on the left of the fire. On the right is a transmasc demon leaping into the air. In front of the huge fire is an old lady with long hair, skinny tall arms raised over her head as though she is pulling the ground up, big saggy breasts and belly with stretch marks, skinny legs, a big bush, and a huge grin at the viewer.