Chris Ferric

“You never know where you are going to see a genital.”
– Adria Castelluci, about Ferric’s studio

A receipt from Savers stapled next to a wood-framed canvas of Jingua Qian. Inside the frame, pink, beige and green blocks are evenly spaced over a white unprimed canvas. Over the top of these blocks, in the middle of the canvas, Jinghua is seated in a carved wooden armchair looking at their laptop. The impression of eir restless movements, like visual echoes, are messily painted next to eir head and elbows and shoulders. There are impressions of sections of objects in the background, a bike wheel, some books, a fire extinguisher. Hanging over the top left corner of the painting is a price tag for $4.49 from Savers - the original tag for the canvas.
A rough drawing in charcoal of a sex scene of two naked people: a light-brown fat woman with shoulder-length straight hair, straddling her lover over a wheelchair. Her breasts obscure her lover's face, hanging slightly over her rounded belly that presses into them. Her round arse is supported on her lover's bare thighs. She has her hand around the back of her lover's neck. Her lover has tan muscled arms, one flexed as it reaches beneath her thigh to hold her over them. A golden scar line is visible on their chest.
A photo of an orb, shining like metal gold. The start of thighs create the structure for labia and a t-cock.
A photo of a spiral-bound book with a life drawing on it of Theo. Theo has pale skin, is fat, nude, reclining onto a cushion. One foot is rested on a chair, supporting the weight of his other leg draped over his knee. His arms are stretched above his head.
slug vulva
Giant fabric moth cocoon hanging from a rope on dark background.
Go to the link about this painting to hear audio description and poem.
White moon-lit figures in the background dance around a fire. Gay Demon has a leg kicked behind them and is looking coyly at the viewer. You can see their bare butt and tail, horns and clawed hands and toes, but not their front.